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TitleVirtual_Music__Computer_Synthesis_of_Musical_Style
File Size33.5 MB
Total Pages551
Table of Contents
                            Cover
Preface
	page 1
	page 2
	page 3
The CD
	page 1
	page 2
	page 3
I Fundamentals
	Chap1 - Virtual Music
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
		page 7
		page 8
		page 9
		page 10
		page 11
		page 12
		page 13
		page 14
		page 15
		page 16
		page 17
		page 18
		page 19
		page 20
		page 21
		page 22
		page 23
		page 24
		page 25
		page 26
		page 27
		page 28
		page 29
		page 30
	page 1
	Chap2 - Staring Emmy Straight in the Eye -- And Doing My Best Not to Flinch
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
		page 7
		page 8
		page 9
		page 10
		page 11
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		page 13
		page 14
		page 15
		page 16
		page 17
		page 18
		page 19
		page 20
		page 21
		page 22
		page 23
		page 24
		page 25
		page 26
		page 27
		page 28
		page 29
		page 30
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		page 32
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		page 40
		page 41
		page 42
		page 43
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		page 45
		page 46
		page 47
		page 48
		page 49
		page 50
	Chap3 - Response to Hofstadter
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
		page 7
		page 8
		page 9
		page 10
	Chap4 - Composing Style-Specific Music
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
		page 7
		page 8
		page 9
		page 10
		page 11
		page 12
		page 13
		page 14
		page 15
		page 16
	Chap5 - The Importance of Patterns
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
		page 7
		page 8
		page 9
		page 10
		page 11
		page 12
		page 13
		page 14
		page 15
		page 16
		page 17
	Chap6 - Structure
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
		page 7
		page 8
		page 9
		page 10
		page 11
II Processes and Output
	Chap7 - Databases
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
	Chap8 - Analysis
		page 1
		page 2
		page 3
		page 4
		page 5
	Chap9 - Themes and Variations
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
		page 7
		page 8
		page 9
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		page 13
		page 14
		page 15
		page 16
		page 17
		page 18
		page 19
		page 20
		page 21
		page 22
		page 23
	Chap10 - Interface
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
		page 7
III Commentary
	Chap11 - Composition, Combinatorics, and Simulation: A Historical and Philosophical Enquiry
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
		page 7
		page 8
		page 9
		page 10
		page 11
		page 12
		page 13
		page 14
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		page 25
		page 26
		page 27
		page 28
		page 29
		page 30
		page 31
		page 32
		page 33
	Chap12 - Experiments in Musical Intelligence and Bach
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
		page 7
		page 8
		page 9
		page 10
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		page 12
		page 13
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		page 15
	Chap13 - Dear Emmy: A Counterpoint Teacher's Thought on the Experiments in Musical Intelligence Program's Two-Part Invention
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
		page 7
		page 8
		page 9
		page 10
		page 11
		page 12
		page 13
		page 14
		page 15
		page 16
		page 17
		page 18
		page 19
		page 20
		page 21
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		page 23
		page 24
		page 25
		page 26
	Chap14 - Who Cares if It Listens? An Essay on Creativity, Expectations, and Computational Modeling of Listening to Music
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
		page 7
		page 8
		page 9
		page 10
		page 11
		page 12
		page 13
		page 14
		page 15
		page 16
		page 17
		page 18
		page 19
	Chap15 - Collision Detection, Muselot, and Scribble: Some Reflections on Creativity
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
		page 7
		page 8
		page 9
	Chap16 - A Few Standard Questions and Answers
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
		page 7
		page 8
		page 9
		page 10
		page 11
		page 12
		page 13
IV Responses and Perspectives
	Chap17 - Response to Commentaries
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
		page 7
		page 8
		page 9
		page 10
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		page 12
		page 13
		page 14
	Chap18 - Perspectives and the Future
		page 1
		page 2
		page 3
		page 4
		page 5
		page 6
		page 7
		page 8
		page 9
		page 10
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		page 14
		page 15
		page 16
		page 17
		page 18
		page 19
		page 20
		page 21
		page 22
		page 23
Bibliography
	page 1
	page 2
	page 3
	page 4
	page 5
AppendixA - Mozart Databases
	page 1
	page 2
	page 3
	page 4
	page 5
	page 6
	page 7
	page 8
	page 9
	page 10
	page 11
	page 12
	page 13
	page 14
	page 15
	page 16
	page 17
	page 18
	page 19
	page 20
	page 21
	page 22
	page 23
AppendixB - An Experiment in Musical Intelligence: Mozart Movement
	page 1
	page 2
	page 3
	page 4
	page 5
AppendixC - An Experiment in Musical Intelligence: Mozart Reject
	page 1
	page 2
	page 3
	page 4
	page 5
	page 6
AppendixD - Virtual Music
	page 1
	page 2
	page 3
	page 4
	page 5
	page 6
	page 7
	page 8
	page 9
	page 10
	page 11
	page 12
	page 13
	page 14
	page 15
	page 16
	page 17
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	page 20
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	page 25
	page 26
	page 27
	page 28
	page 29
	page 30
	page 31
	page 32
	page 33
	page 34
	page 35
	page 36
	page 37
	page 38
	page 39
	page 40
	page 41
	page 42
	page 43
	page 44
	page 45
	page 46
	page 47
	page 48
	page 49
	page 50
	page 51
	page 52
	page 53
	page 54
	page 55
	page 56
	page 57
	page 58
	page 59
	page 60
	page 61
	page 62
	page 63
	page 64
	page 65
	page 66
	page 67
	page 68
	page 69
	page 70
	page 71
	page 72
	page 73
	page 74
	page 75
	page 76
	page 77
	page 78
	page 79
	page 80
	page 81
	page 82
	page 83
	page 84
	page 85
	page 86
	page 87
	page 88
	page 89
	page 90
	page 91
	page 92
	page 93
	page 94
	page 95
	page 96
	page 97
	page 98
	page 99
	page 100
	page 101
	page 102
	page 103
	page 104
	page 105
	page 106
	page 107
	page 108
	page 109
	page 110
	page 111
	page 112
	page 113
	page 114
	page 115
	page 116
	page 117
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	page 121
	page 122
	page 123
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	page 125
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	page 127
	page 128
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	page 133
	page 134
	page 135
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	page 138
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	page 141
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	page 145
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	page 148
	page 149
	page 150
	page 151
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	page 153
	page 154
	page 155
	page 156
	page 157
	page 158
	page 159
	page 160
	page 161
	page 162
	page 163
	page 164
	page 165
	page 166
	page 167
AppendixE - The Game Key
	page 1
Index
	page 1
	page 2
	page 3
	page 4
	page 5
                        

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